Here's what happens when a beach vacation turns into a nightmare. When 3-year-old Madeleine McCann vanishes from her parent's hotel room in Portugal, police wonder if her own parents are to blame or if she was abducted and sold into sex trafficking. Both theories are equally terrifying.
What happens when you're arrested for a murder that you didn't commit? You find an alibi. In Juan Catalan's case, that meant proving that he was one of the 56, people cheering on the Dodgers at a baseball game. Initially, the singer's death was merely considered an act of self-defense, but years later fans wonder if it was a result of his involvement in the civil rights movement. Just because you think you nailed down a killer, doesn't mean the case goes away for good.
In this eight-episode series, convicted murderers confess reveal that their confessions — ya know, the ones that convicted them in the first place — were coerced, in one way or another. Then He Killed Himself. This British documentary is as chilling as it gets pun intended.
Then police ruled them out, claiming they found new DNA evidence to prove otherwise. More than two decades later, there's still no conclusion. Even a college study abroad trip isn't off-limits. For Amanda Knox, a semester in Italy led to four years in prison, questionable murder charges, and intense media scrutiny. While many of us are familiar with this case, this Netflix original sheds a new light on Amanda's story with exclusive interviews and footage. Before you watch Zac Efron play the famous serial killer in Extremely Wicked, Shockingly Evil, and Vile , catch up on all 30 murders by Ted Bundy — in his victim's own words.
This four-part series features never-before-seen footage and testimonies by women who escaped Bundy's wrath.
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This murder case runs deep: In this Oscar-nominated documentary, filmmaker Yance Ford explores why his brother's murder turned into a prime example of racial injustice. The story, which is riddled with pain and grief, offers a unique perspective about the inequalities that are still prevalent in the justice system. It's believed that the truth will set you free First, he served 18 years in prison for a crime he didn't commit. Just two years after he was exonerated, he became the prime suspect in the murder of a year-old photographer.
So, where does he stand now? Based on John Grisham's book by the same name, this documentary gives a small town murder case the national spotlight. First, two locals were convicted of the murder of Debra Sue Carter. Then their guilt was put into question, leading police to clear all charges — just five days before one of the men was set to be executed.
While on his way home from a party, police falsely accused Kalief Brower, then 16, of stealing someone's backpack. While he awaited trial, he spent days in solitary confinement at Riker's Island without ever being convicted of a crime. Innocent until proven guilty There's something about cults that's wildly fascinating: They're psychological, spiritual, and weirdly twisted.
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Rajneeshpuram, the controversial cult at the heart of this six-part series, is the American cult you didn't know about but should. It was only a matter of time that this utopian city turned into chaos with bombings and health scares. Picture this: a pizza man attempting to rob a bank with a bomb around his neck. Bailey finds his mother sitting in the car, dressed in her best clothes and an ostentatious hat; if she should die in an accident along the road, she wants people to see her corpse and know she was refined and "a lady.
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She recalls her youth in the Old South, reminiscing about her courtships and how much better everything was in her time, when children were respectful and people "did right then. When the family stops at an old diner outside of the fictitious town of Timothy, Georgia, for lunch, she talks to the owner, Red Sammy, about The Misfit. He and the grandmother agree that things were much better in the past and that the world at present is degenerate; she concurs with Sammy's remark that "a good man is hard to find. After the family returns to the road, the grandmother begins telling the children a story about a mysterious house nearby with a secret panel, a house she remembers from her childhood.
This catches the children's attention and they want to visit the house, so they harass their father until he reluctantly agrees to allow them just one side trip. As he drives them down a remote dirt road, the grandmother suddenly realizes that the house she was thinking of was actually in Tennessee, not Georgia. That realization makes her involuntarily kick her feet which frightens the cat, causing it to spring from its hidden basket onto Bailey's shoulder. Bailey then loses control of the car and it flips over, ending up in a ditch below the road, near Toomsboro.
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Only the children's mother is injured; the children are frantic with excitement, and the grandmother's main concern is dealing with Bailey's anger. Shaking in the ditch, the family waits for help. When the grandmother notices a black hearse coming down the road, she flags it down until it stops. Three men come out and begin to talk to her.
All three have guns. The grandmother says that she recognizes the leader, the quiet man in glasses, as The Misfit. He immediately confirms this, saying it would have been better for them all if she had not recognized him, and Bailey curses his mother.
The Misfit's men take Bailey and John Wesley into the woods on a pretense and two pistol shots ring out. The Misfit claims that he has no memory of the crime for which he was imprisoned; when he was informed by doctors that he had killed his father, he claimed that his father died in a flu epidemic. The men then return to take the children's mother, the baby, and June Star to the woods for the same purpose as Bailey and the boy.
The grandmother begins pleading for her own life. When The Misfit talks to her about Jesus , he expresses his doubts about His raising Lazarus from the dead. As he speaks, The Misfit becomes agitated and angry. He snarls into the grandmother's face and claims that life has "no pleasure but meanness.
You're one of my own children! When the family has all been murdered, The Misfit takes a moment to clean his glasses and pick up the grandmother's cat; he states that the grandmother would have been a good woman if there "had been somebody there to shoot her every minute of her life.
Most of this discrepancy centers on the grandmother's act of touching The Misfit. The dominant opinion of the story is that the grandmother's final act was one of grace and charity, which implies that "A Good Man Is Hard to Find" was written to show a transformation in the grandmother as the story progresses. She originally perceives herself as a righteous woman, making her able to "justify" all of her actions.
She bribes the granddaughter and encourages the defiance of the children against the father; in the end, she even begins to deny the miracles of Jesus as she states "Maybe He didn't raise the dead". The reader sees how she, in the final moments of her life, tries to save one more soul after the Misfit has already killed her family, by calling out the Misfit's name. A second opinion on the issue is that the grandmother's final act was not an act of charity and that she is yet again trying to save herself from being murdered.
Some say that Flannery O'Connor uses the excuse as the grandmother's final "moment of grace" to save the story from the bloodshed and violence.
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It is also pointed out that by the time the grandmother touches the Misfit, proclaiming he is her son, he is wearing Bailey's shirt. Other opinions include that it is contradictory of her character or that she was simply again trying to save herself and that her selfishness was never overcome throughout the story. Not every interpretation hinges on a moral judgment of the grandmother, though. For example, Alex Link considers how, until the family encounters the Misfit, the South is mainly something to ignore, forget, package in a movie or a monument, or remember with distorted nostalgia, such that the Misfit comes to stand for the persistence of what cannot be bought, sold, or wholly understood, such as death, grace, and "the South.
O'Connor utilized the dark and morose in her writing to reveal beauty and grace. In the story, violence reveals divine grace.